I'm so jealous that you actually got a rejection letter from H.R.—
KM I'm nearly peeing myself laughing that someone would be jealous of a rejection letter!
When I first started looking for work, I thought I wanted to be a casting agent. Then I wrangled an internship on a Billy Crystal movie, got in trouble for the way I dressed, the people I talked to, and the postcard wall in front of my desk. But those weren't the reasons why I gave up that dream. I despised the part of the job—well, most of the job—the
lion's share of the job, which was telling people no.
Say it with me: No, no, no, no, no.
An example? My boss saw 500 actors for one part. 499 were told No. At least one was happy, you say. Well, that part was filmed, and then cut. So 500/500 people were disappointed. Obviously, in order to be an actor, you need armor. I know a few actors, and I'm ever so impressed with the way that they deal with the Nos.
Say it loud and say it proud: No, no, no, no, no.
As a writer, you get a lot of nos, too. (Or
I do.) The first time I subbed to the Herotica series (I think Herotica 3), my manuscript was sent back to me with the word NO on it in black pen. Just NO. I used to collect the Nos in one big pink folder. I recycled them several years ago. I don't keep nos anymore. Not even Henry Rollins'.
But that doesn't mean I don't get them. This year, I was axed from several collections. I was also subbed in as a last-minute replacement and then cut again as a last-minute reject. Nos don't ever get easier. And I don't have any fixes for getting them. Or honestly for giving them.
For
Frenzy, I received hundreds of submissions. I had 60 slots. You do the math. Originally, I was going to take three stories per writer, but I decided I wanted to include more writers in the book. The final line-up features 51 writers. Still, I had to give a bundle of Nos. The difference from this job and casting? I get to say Yes a lot, too.
Sometimes, when I send a No, I receive a "Why didn't my story work for you?" letter. "What's wrong with it/me?" (I got hit with a slew of those with
Frenzy, when the writers were actually in the book. I just hadn't been able to send the acceptances out fast enough.)
Still, "What's wrong with my story?" is a difficult question to answer. (That is, assuming you didn't have
hot goat sex in your submission.) For
Open for Business, five brilliant stories were axed because I hadn't understood the guidelines for my own book! I thought the theme was sex at work, so I included a few very unusual work settings. Cleis wantes sex at the
office, so some of my favorite writers didn't make the final cut.

There are so many reasons why a story won't be chosen. But here's the thing (and I may have said this before): every editor is different. Thank fucking god, or we'd all be putting out the same book. What doesn't float my boat, may make
Violet Blue very happy. What doesn't work for
Rachel Kramer Bussel may fly with
Tristan Taormino. (Remember my
Sleeping with the Editor post?) My story
Matthew, Mark, Luke, and John was written as a submission for Cleansheets'
Sex and Spirituality contest. (Okay, so it touches the concept of spirituality with the tip of its pinky toe. But that's about as spiritual as I get. You know, fucking the apostles.) Anyway, this failure, reject, loser wound up in
Best Women's Erotica, was featured as a fiction piece on Clean Sheets, and has just been accepted in a new collection.
The most important thing? Whether
you like your story. Does it work for you? Then I think you've succeeded.
Take all Nos with a grain of
salt.
Even mine.
XXX,
Alison
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